HIGH energy, heartfelt, and quite possibly the ultimate tonic to the Monday blues—Priscilla Queen of the Desert is a joyful, neon-soaked journey across the Australian Outback in the company of three sequin clad drag artists.
But while it is chock-full of powerhouse 80s and 90s dancefloor fillers, Priscilla is far more than just a jukebox musical; it carries vital themes of homophobia, acceptance, and courage at its core. Boasting the glitziest costumes and most daring dance moves, this flamboyant production is on stage at Southampton’s Mayflower Theatre until Saturday.
Priscilla Queen of the Desert The Musical. Photo: Johan Persson
Directed by Ian Talbot, the show erupts in a flurry of sequins and feathers at The Cockatoo Club in Sydney before a trio of entertainers embarks on a high-stakes road trip. Based on the 1994 cult film, the production stars Kevin Clifton as Tick (and his drag persona, Mitzi), who sets out on a soul-searching trek to Alice Springs to reunite with his young son. Joining him are the glamorous transgender pioneer Bernadette, played with exquisite elegance by Adele Anderson, and the livewire Felicia, brought to life by the sensational Nick Hayes.
Priscilla Queen of the Desert The Musical. Photo: Johan Persson
The chemistry between this trio is at the heart of the show, as Adele Anderson perfectly conveys Bernadette’s world-weary dignity, Kevin Clifton demonstrates a commanding stage presence and an exceptional vocal range, and Nick Hayes expertly balances youthful arrogance with a touching, hidden vulnerability.
Peter Duncan provides a grounded, warm performance as Bob, the outback mechanic who forges a beautiful connection with Bernadette. They are supported by a stellar ensemble, including the terrific sequin clad disco divas—Bernadetta Bangura, Leah Vassell, and Jessie May.
Priscilla Queen of the Desert The Musical. Photo: Johan Persson
Under Ian Talbot’s direction, the pace of the show is relentless, with an array of showstopping dance numbers punctuating a storyline that explores difficult subjects like homophobia and self-acceptance. The full-cast sequences are a feast for the senses, with incredible choreography and costumes combining to almost dizzying effect.
Staging is also clever as “Priscilla” the bus is intentionally minimal in design to allow for maximum movement, splitting and rotating to transform the dusty outback into a shimmering stage.
Priscilla Queen of the Desert The Musical. Photo: Johan Persson
Loud, proud and a true celebration of diversity, Priscilla is a huge glitterball of fun combining disco anthems with high octane choreography and a sensational cast. Earning a well deserved standing ovation on the opening night – it was no surprise to see many of the audience were still dancing as they spilled out of the Mayflower Theatre at the end of a riotous evening of unadulterated fun.